His stories cover this raw, very personal terrain that is very rocky and hard to navigate. People are constantly misunderstanding each other, constantly beginning to say things and then.... oh-but-you'll-never-understanding. He really understands humiliation and shyness as a fundamental motivator and then he throws in these deceptively intense situations into the mix and a story that seems to be about a regretful pawnbroker turns out to be about the horror we can achieve through our blind desire for happiness and our inability to understand when we are and when we are not sharing something fundamental.
I found myself reliving old conflicts as I read through this, clenching my teeth and asking questioning my own motivations. Is pacifism a principle, or merely a fear of looking ridiculous? Do we simply live to create situations in which we can excel? How great a motivator is fear of being ridiculous, and how great a liberator is it to be the clown? I guess that's what I was mulling over in my head as I lay awake last night... how much more ridiculousness should I allow into my life? There's an awful lot already, make no mistake, but in the early hours of the morning there seemed to be a way to allow more into my life, while at the same time allowing less: Genuine ridiculousness; not something controlled. Really, truly running the risk of falling flat on my face without a clownish posture to fall back upon.
Melissa sent the gang (Karaab, Mike, Nick, Anna) a poem this morning.
Engendered by my slipping
To sleeping in the twice-crooked
Curve of your arm, I'm dreaming
Of warm nights seeping
In through windows
And some soft song sinks
For awhile, glides across
The moon and back
This, she claims, came from a stairwell outside of her office at the University of Washington.
I always get a special thrill coming across lost works. As if these heartfelt but unedited writings are simply the first to go to their ultimate reward. I mean, isn't this the fate of all human creations -- no matter how hard we try to preserve and to worship the works of the dead, won't they all end up crumpled and forgotten in a stairwell somewhere? Won't the sun burn out and the universe shrink back in on itself someday? Won't time stop ticking and the atoms run out of energy and then all these marks and notes of human passion, won't they all be in the same heartfelt place?
Links of the day: Canadian's apparently don't know their left from their right. Another argument for Manifest Destiny: In the US you don't need to.
Apparently Christopher Hitchens has a piece in the Atlantic this month bashing Churchill. I haven't read it, but I listened to some pompous PHDs on local PBS talk about how completely wrong he had gotten his facts (like for example, his assertion that Winnie the Poo read Churchill's radio addresses because the great man was too drunk to do them himself). With Hitchens, the accusation of "too drunk" is particularly sharp, considering what a boozehound Hitchens himself is. You can find out more about his alcoholic proclivities and family history in this fun article from the Guardian. My favorite part is his comment on Bush:
'Eyes so close together he could use a monocle, abnormally unintelligent, could barely read at all, "rescued from the booze by Jesus" - and if there's one sentence that would piss me off more than any other, that's it. But one can look on the bright side and say it proves that anyone can be president.'
